Wednesday, October 20, 2010

Valeri Larko Art Influences


I have been a fan of Valeri Larko's "plein air" industrial landscapes.Valeri was a long

time resident of New Jersey where she started painting industrial sites over twenty
years ago. in 2004 she moved to New Rochelle, NY where she currently finds
inspiration in the outer boroughs of NYC. Her paintings remind me of my thoughts
looking out the window of the train in to NYC from NJ. Most people would call the
view ugly but I find the visual richness exciting. Valeri's work captures that richness.





Graffiti, Zerega Ave, Bronx, 2008
Oil on linen 42 x 35 in.




My art reflects my ongoing fascination with the landscape where urban culture and nature collide, most often to be found in the fringes of our cities. It is in these often-overlooked areas that I find both beauty & pathos, bizarre juxtapositions that reflect how we, as a society, have altered and continue to alter the environment. Growing up and living in Northern New Jersey most of my life, surrounded by endless miles of industrial parks, highways and shopping malls, have contributed to my obsession.



Behind the Restaurant Depot, Newtown Creek, 2009, oil/linen, 20" x 64", courtesy of the artist


" I would say that my major artistic influence is more a response to the contemporary landscape with all it's contradictions rather then to a particular artist or group of artists. Moving to Jersey City early in my career, i.e. just out of art school, plus my love of painting from life were the two factors that influenced what I continue to focus on twenty plus years later. If I had never moved to Jersey City, especially so early in my development as an artist, I rather doubt I'd be painting what I do today. That funky urban landscape grabbed my imagination and combined with my love of painting on location has provided me with endless inspiration.

Some of my favorite artists are the painters Johannes Vermeer, Wayne Theibaud and Lucian Freud as well as the sculptors, Edward Keinholz and Chakaia Booker plus numerous others. Corot's Italian landscape studies are also wonderful. I'm not sure that this is what you're thinking of when you ask me to name my top art influences, however I love Vermeer's use of light, Freud's paint quality and Wayne Theibaud use of color as well as the fabulous sense of atmosphere in Corot's plein air studies. Keinholz tell engaging stories from discards and junk and Booker makes magic out of the most humble and ordinary of objects i.e. car tires.

Willie Cole also makes amazing art out of things most of us barely notice in our daily lives. I have always been interested in how the most ordinary things, things we try to overlooked, can become fascinating when they are looked at differently by the artist eye."



Mufflers, 2000, oil, 30” x 24”, courtesy of the artist




Wrapped Tanks, 1996, oil/linen, 36” x 36”, Private Collection



Gaseteria, Bronx, 2009, oil/linen, 28” x 56”, courtesy of the artist

Monday, October 11, 2010

Painting in Tuscany


New Piece 1 in the studio, 48 x 38 oil on canvas


I have exciting news!! I have been invited to teach a painting workshop in Tuscany, Italy. Doesn't that sound amazing?

I was thinking the end of June 2011 (this June!!26-3) would be a great time to escape to an Italian Villa. There is a pool and air-conditioning. The other time available is the end of September(24-Oct 1)

This workshop will include a variety of breathtaking locations chosen to inspire our creative work. Using mixed media ( pastels, oil pastels, oil sticks and paint ) we will be informed by the landscape. Imagine working with the textures, tones, colors and the clarity of light that is so much a part of Tuscany's natural beauty.


We will also visit some museums, art galleries and medieval hill top towns . Excursions will include a visit to the nearby thermal springs, which have been reputed since Roman times to have healing properties. We will often be traveling through the fabulous countryside of the Val d'Orcia, with its classic Tuscan views. Our trips will include two beautiful hill towns - Pienza, with its famed local Pecorino cheeses; and also Montepulciano, known for its wonderful wines. Here we will have the opportunity to visit La Cantina Redi, one of the oldest wineries in Tuscany.

Accommodations, transfers, all meals, wine and several excursions are included for only $2,300 for the week. The air travel is up to you.
http://www.tuscanyintheframe.com/dptuscany.htm
Please let me know if you are interested and which time of year, ASAP.

art@lisapressman.net


I am limited to 10 people and one seat is already taken for June.

Artist or not: there will be plenty to do!

Fun is high up on that list.


New Piece 2 40 x 30 oil and wax on board
Nw Piece 1 in the studio, 48 x 38 oil on canvas


I have exciting news!! I have been invited to teach a painting workshop in Tuscany, Italy. Doesn't that sound amazing?

I was thinking the end of June 2011 (this June!!26-3) would be a great time to escape to an Italian Villa. There is a pool and air-conditioning. The other time available is the end of September(24-Oct 1)

This workshop will include a variety of breathtaking locations chosen to inspire our creative work. Using mixed media ( pastels, oil pastels, oil sticks and paint ) we will be informed by the landscape. Imagine working with the textures, tones, colors and the clarity of light that is so much a part of Tuscany's natural beauty.


We will also visit some museums, art galleries and medieval hill top towns . Excursions will include a visit to the nearby thermal springs, which have been reputed since Roman times to have healing properties. We will often be traveling through the fabulous countryside of the Val d'Orcia, with its classic Tuscan views. Our trips will include two beautiful hill towns - Pienza, with its famed local Pecorino cheeses; and also Montepulciano, known for its wonderful wines. Here we will have the opportunity to visit La Cantina Redi, one of the oldest wineries in Tuscany.

Accommodations, transfers, all meals, wine and several excursions are included for only $2,300 for the week. The air travel is up to you.
http://www.tuscanyintheframe.com/dptuscany.htm
Please let me know if you are interested and which time of year, ASAP.

art@lisapressman.net


I am limited to 10 people and one seat is already taken for June.

Artist or not: there will be plenty to do!

Fun is high up on that list.

New Piece 2 40 x 30 oil and wax on board

Tuesday, September 21, 2010

Nancy Natale's Art in the Studio Blog


Artist and blogger Nancy Natale is running a fun series on her blog called "The Questionnaire". It is her artist's version of the Proust questions . I am a fan of the Actor's Studio version so I was happy to participate. I had answered her questions a couple weeks back so when she posted today I was very tempted to tell her to change them. You can see my original answers at Art in the Studio. Be sure to go through her blog to read other interviews.
I decided to post my alternate answers here.


What is your favorite color?
I go through phases so I moving back into warm colors-orange,yellow amd Iguess blue.


( the experiment) oil on canvas 34 x 32 LPressman

What is your favorite word?

really?

What turns you on creatively, spiritually or emotionally?
paint, laughter, being under the covers on a cold morning

What turns you off
?
crazy makers

What profession other than artist would you most like to be?
Something that pays me to travel

What is your favorite book or movie?
Man and his Symbols by Jung and still the Godfather 1 and 2

Who is your favorite musician, musical group or style of music?

rhythm and blues, jazz, folk and music from the late 60's and 70's, Motown

Name three artists whose work has influenced your own or whose work you most relate to.

Hesse,Matisse, Hans Hoffman

Name an artist whose work you admire but which may be unlike yours.
Brice Marden, Philip Guston, Sol Lewitt

What is your idea of earthly happiness?

I am sticking with good friends , good wine, food , love a good laugh, and a studio full of supplies

Sunday, September 19, 2010

Claudia Sperry's Influences and Favorites

Here is Claudia Sperry's work. Her solo show at Oxbow Gallery, Northampton, MA opens October 1.


Untitled, 2010, oil on wood, 48 x 48


An excerpt from an essay by David Gibson:
"The works of Claudia Sperry communicate a depth of meaning beyond mere appearance. They speak of the struggle to achieve meaningful form, a role that only the artist is prepared to fulfill. Sperry has developed an aesthetic that combines the conscious and unconscious qualities of painterly expression, giving each painting a memory of its own, and a dynamic borrowed from her precursors, the alchemists. Place one color next to another, read the signs, build a form that accrues in portent
as it adds to an oeuvre. It’s not about analysis, her work, but about feeling our way through an experience. Ambiguity is her greatest tool. She speaks not to the viewer, but to the painting, asking it questions which it refuses to answer. The truth is that meaning follows beauty, the rest is silence."



Untitled, 2010, Oil on Wood 11 x14






Influences and favorites



Picasso

Rauschenberg

Amy Sillman

Matisse

Judy Pfaff

Hoffman

Klee

Per Kirkeby

Richter

Jane Hammond

Pat Steir

Eva Hesse







Untitled, 2010, Oil on Wood   36 x 36





View from Claudia's studio







Untitled, 2010, oil on wood,  48 x 48











Saturday, September 11, 2010

Tim Mc Farlane's Studio

Last week artists, Pam Farrell, Ravenna Taylor, David Foss, Tim McFarlane and I got together in Philadelphia. First stop was David Foss's solo show, Exits and Entrances, at the LGTripp Gallery. Later we went up the street to Tim's third floor walk up studio for some snacks and a look around.


This is the sign above Tim's door in his studio. As I looked around I could
that see he follows this advice.



.





Paint everywhere....


and tools, materials, books, unfinished and finished pieces.













Dave and Tim.

Great fun,Tim. Thanks for having us.

Friday, August 27, 2010

Upcoming Workshops


















Rooms of Anais Nin, encaustic 28 x24 L Pressman

It is almost the end of the summer, amazing isn't?
There is still time to see:

"Reality & Artifice" 2010 New Jersey Arts Annual: Fine Art New Jersey State Museum through Oct0ber 31, 2010


And time to plan on taking some workshops or classes for the fall.
I am booking for private time in my studio in West Orange,NJ
4 hour blocks of time.
Encaustic, pigment sticks. painting.
Email for details : art@lisapressman.net
Encaustic Workshop
Sunday,September 26th

Geralyn's Art Studio
Maplewood ,NJ
973-275-1966 for registration details
Beginning Encaustic Workshop
Sunday, October 3rd
Visual Arts Center
Summit, NJ
908-273-9121 for registration details
Advance Encaustic Workshop
Sunday, October 19th
Visual Arts Center
Summit, NJ
908-273-9121 for registration details
8 week encaustic classes begin at Center for Visual Arts in September
908-273-9121 for registration details


Monday, August 23, 2010

Shadows and Walls

I have a pretty simple approach to picture taking. I take them, I upload them, and very rarely do anything else to them. I took these a while ago and have been looking at them as possible "sketches" for drawings.
















































































The walls at Mass MoCa. The art will be the next post.





And these are a glimpse of a Sol LeWitt behind a window.