Sunday, February 20, 2011

Since January


The Weight 54 x 48 oil on canvas 2011

This is a painting that stayed in the studio while my show was up last month. I just finished it.....I think.


Time is flying. When I look out my office window thankfully I don't see any snow. I am ready for the twinkle of my spring bulbs and spending time
on my front porch.







Since January, I have taken a bit of time out of the studio. I began taking a 10 week beginning drawing class. I wanted to be a student again and revisit basic drawing. It has been both humbling and reassuring. Still lifes with apples, books, reflective surfaces, perspective, the figure etc. I am focusing on seeing. As you can see I am a bit out of practice.





Last weekend, I did an encaustic painting demo for R&F Handmade Paints at the CAA conference. It was two days of great fun, painting and talking to other artists. I found myself several times totally engrossed with the painting, forgetting that I was supposed to be doing the chat thing. This was my first time at the CAA but definitely not my last. I am waiting to receive my borrowed CDs to listen to several of the symposiums, a few desk copies of art books and also to try some of my sample art supplies. The book area itself was enough to make me hyperventilate but I was controlled and didn't spend any money.

Thanks to Berni from Pan Pastels for the photo.


Talking about hyperventilating: a funny moment in a NYC hotel. After a long day I walked into a very nice small room at a boutique hotel. Very hip, very clean, big TV.............but NO WINDOW! I sat on the bed for a few moments my heart pounding, the truth creeping in. I just couldn't do it- claustrophobia at its worst. Thankfully they had a room with a window. I guess I am an inexperienced traveler not knowing that you have to ask for a non smoking, non pet, quiet room, and one with a window.

My calender is starting to be sprinkled with classes and workshops. In March I begin a new adventure with Arts Unbound which is a non-profit organization dedicated to the artistic achievement of youth, adults and senior citizens with disabilities. I will be an instructor for a master class for emerging artists with mobility challenges who are ready to take their work to a professional level. It is a ten week program with classes, internships and an exhibition. I am looking forward to working for this organization and the artists.

The end of April brings me to
R&F as a visiting artist. In this three day workshop we will be exploring pigment sticks along with mixed media. It is always great to be up in Kingston at their studio and factory. Whether you use their products or not, the tour is informative and the gallery exhibitions are always interesting.



On a personal note, my husband has been building guitars, my older son's band, Caution Children's record came out and my younger son has to decide which college he will attend for art.


Yesterday was Brancusi's
135th birthday!




Here is an
older blog post with some photos from his studio that I took in Paris.

Wednesday, February 2, 2011

Good Advice @


16 x 16 encaustic L Pressman

This week there have been two blog posts with good advice.

Joanne Mattera's Art Blog:

Marketing Mondays: Advice to Your Young Self

and an interview with John Seed at Artist Career Training:

John Seed, Art-Explainer and Story Teller



I find myself always learning new lessons and having to learn the old lessons again.
I am going to make a list from both of these posts and my own "lessons", print them up and hang them in the studio.


Monday, January 17, 2011

Show Part 2


Off Balance 24 x 24 encaustic and oil LPressman 2010

I think I have had the post show blues for the past week. I feel a little lost, been sleeping late, hanging out in my PJs, walking in and out of the studio and just plain blue.

So, I am going to post this lovely video
by filmmaker, John R. Thornton and arranged by gallery dealer, Richard Rosenfeld, done at the opening on Jan 9th. A big thanks to both!
Here are two links to the new work:
Here, paintings
Here, works on paper

Now I am going into the studio and "muck" around.


I hope you enjoy the paintings.

Friday, January 14, 2011

The Show, Part 1


Installation View, ink, wax on paper 12 x 12 each


Last Sunday my solo show opened at the Rosenfeld Gallery in Philadelphia. I have known about the show for two years, so to have all the work out of studio and up together is quite amazing. My sense is that my paintings are living and breathing, a little fresh air opens them up.




Installation view entering the gallery right wall




Installation view




Installation view entering on the left wall




Installation View




Installation View, Second Room




Installation View, Second Room

Tuesday, December 28, 2010

Wishing you

From this

 

To this

 
Journey, as of now 36 x 72 oil

Change and Transformation!
Happy New Year
Lisa

Friday, December 3, 2010

Studio VIsits: 10 Great Paintings,10 Artists Studios

A big thanks to John Seed,who not only was kind enough to include me in his Artist's Palette Project, but used my "in progress" studio shot as the lead in for his Huffington Post blog entry.
Here is the link to see all the wonderful palettes and painters.


John Seed

John Seed

Posted: December 1, 2010 01:13 PM

Studio Visits: 10 Great Paintings, 10 Artist Studios (PHOTOS)




2010-12-01-pressman_full_studio.jpgAbove: The lively chaos of artist Lisa Pressman's studio reflects her creative energy
PS Those two paintings look completely different now
Looking into an artist's studio is a bit like opening a friend's refrigerator: you are going to learn a lot about them very quickly Since I began blogging on the topic of painters and their palettes I have been floored by the variety of materials my artist friends use, and have also been seduced by the allure of their creative spaces. In this slideshow, there is a painting for every taste and an intimate array of palettes, and studio shots. Looking it over myself, I couldn't help thinking that looking over this slideshow is like eating a 10 course meal prepared by 10 great chefs who let you glimpse their kitchens. Enjoy
PS: If you get addicted to these, check out artist Farrell Brickhouse's "Tables, Shelves and Palettes" on Facebook.
Lisa Pressman: Palette Table
12 of 21

Lisa Pressman: "My palette was built by my husband in 1986. It has a glass top, a place for turps that can be covered up , a draw for paints, two shelves underneath and it is on wheels. The scraped paint tells the story of many paintings. These days I use Gamblin, Williamsburg, and Charvin paints, R & F pigments sticks, or whatever I can afford. After painting with encaustic for a few years I am loving the richness and freedom of the oil paint."