Wednesday, November 24, 2010

Leap of Faith

I have been posting paintings not really knowing the story . I have been up since four this morning. I think I've got it. Just like everyone else I am busy . My studio practice, marketing and followup, teaching, waitressing, family life and on and
on...........The Balancing Act.


The Balancing Act 24 x24 encaustic



At the end of the summer I began playing around with oil paint again and it felt so liberating.This was the first oil painting I had done in a few years. It was an experiment with new tools, new paint, new attitude. It was scary and taking a leap of faith.
The experiment 32 x 34 oil on board


Not two weeks later, after a bit of a back story, I literally walked out of my job that I have had for 14 years. Although it was probably time for me to retire my waitress shoes, walking out before Saturday night service was not the way I had pictured my send off. It was completely out of character, slightly dramatic and kind of like a bad breakup. It was scary and taking a leap of faith.



Walking the Line 36 x 36 oil on board


Does art follow life or does life follow art?


It has been an interesting few months. Possible opportunities to teach 2d design and drawing has me looking at books, lessons plans, exercises, and artists. I bought a new sketchbook and worked in it yesterday while I was in the studio. I have to practice what I preach right? I will be brushing up on perspective soon. It is scary and I am taking a leap of faith.

That's my story for now.




Thursday, November 11, 2010

Saturday, November 6, 2010

Work

One of my favorite times is when I have an appointment with my professional photographer, husband, Jay Rosenblatt. ( I am joking about the appointment......sort of.) You can see his work here.

There is nothing like having the work documented in the best way possible. It has been almost a year since much of the work has been shot. Below is one painting and a series of works on paper that began a year ago. More to come soon.



Balancing Act 24 x 24 oil and encaustic Lpressman


Works on Paper
This one below I did last week and then they go back in time.


1. 12 x 12 ink, wax on paper L Presssman



2.12 x 12 ink, wax on paper L Presssman



3.12 x 12 ink, wax on paper L Presssman


4.12 x 12 ink, wax on paper L Presssman



5.12 x 12 ink, wax on paper L Presssman



6.12 x 12 ink, wax on paper L Presssman



7.8 x 8 ink and wax on paper L Pressman



8.12 x 12 ink, wax on paper L Presssman




9.8 x 8 ink and wax on paper L Pressman



10.12 x 12 ink, wax on paper L Presssman



11.8 x 8 ink and wax on paper L Pressman

Monday, November 1, 2010

A good day for art

Last Friday I went in NYC for a job interview ( more on that some other time). Before the interview I spent some time at the Drawing Center, looking at Gerhard Richter's show and found a treasure of a book about one of my favorite artists, Ree Morton. Later, on my way home , I stopped by Chelsea to see Brice Marden and Thomas Nozkowski. Job or no job -It was an inspiring day for art. Brice Marden at Matthew Marks  Third Letter 2006-2009 Oil on linen 96 x 144 inches; 244 x 366 cm Letter About Rocks #3, Blue Ground 2007-2010 Oil on linen 72 x 96 inches; 183 x 244 cm Thomas Nozkowski at Pace Gallery Thomas Nozkowski Untitled (8-128), 2010 oil on linen on panel 22 1/8" x 28 1/8" (56.2 cm x 71.4 cm) Pace Gallery Thomas Nozkowski Untitled (8-121), 2009 oil on linen on panel 22 1/8" x 28 1/8" (56.2 cm x 71.4 cm) Pace Gallery  At the Drawing Center

Gerhard Richter Lines which do not exist"

September 11 – November 18, 2010

 GR14: Gerhard Richter, 7.1991, 1991. Ink on paper 6 1/2 x 9 7/16 Gerhard Richter, G.EL.2, 18.1.1984, 1984. Watercolor on paper Ree Morton Ree Morton, Wood Drawings, 1971, felt-tip pen, pencil, acrylic, clay, sponge, hardware on wood. Installation view, Drawing Center, New York, 2009  Ree Morton, Pink Numbers, 8 1/2 x 11 inches, mixed media on paper, 1971. Ree Morton: At the Still Point of the Turning World

Wednesday, October 20, 2010

Valeri Larko Art Influences


I have been a fan of Valeri Larko's "plein air" industrial landscapes.Valeri was a long

time resident of New Jersey where she started painting industrial sites over twenty
years ago. in 2004 she moved to New Rochelle, NY where she currently finds
inspiration in the outer boroughs of NYC. Her paintings remind me of my thoughts
looking out the window of the train in to NYC from NJ. Most people would call the
view ugly but I find the visual richness exciting. Valeri's work captures that richness.





Graffiti, Zerega Ave, Bronx, 2008
Oil on linen 42 x 35 in.




My art reflects my ongoing fascination with the landscape where urban culture and nature collide, most often to be found in the fringes of our cities. It is in these often-overlooked areas that I find both beauty & pathos, bizarre juxtapositions that reflect how we, as a society, have altered and continue to alter the environment. Growing up and living in Northern New Jersey most of my life, surrounded by endless miles of industrial parks, highways and shopping malls, have contributed to my obsession.



Behind the Restaurant Depot, Newtown Creek, 2009, oil/linen, 20" x 64", courtesy of the artist


" I would say that my major artistic influence is more a response to the contemporary landscape with all it's contradictions rather then to a particular artist or group of artists. Moving to Jersey City early in my career, i.e. just out of art school, plus my love of painting from life were the two factors that influenced what I continue to focus on twenty plus years later. If I had never moved to Jersey City, especially so early in my development as an artist, I rather doubt I'd be painting what I do today. That funky urban landscape grabbed my imagination and combined with my love of painting on location has provided me with endless inspiration.

Some of my favorite artists are the painters Johannes Vermeer, Wayne Theibaud and Lucian Freud as well as the sculptors, Edward Keinholz and Chakaia Booker plus numerous others. Corot's Italian landscape studies are also wonderful. I'm not sure that this is what you're thinking of when you ask me to name my top art influences, however I love Vermeer's use of light, Freud's paint quality and Wayne Theibaud use of color as well as the fabulous sense of atmosphere in Corot's plein air studies. Keinholz tell engaging stories from discards and junk and Booker makes magic out of the most humble and ordinary of objects i.e. car tires.

Willie Cole also makes amazing art out of things most of us barely notice in our daily lives. I have always been interested in how the most ordinary things, things we try to overlooked, can become fascinating when they are looked at differently by the artist eye."



Mufflers, 2000, oil, 30” x 24”, courtesy of the artist




Wrapped Tanks, 1996, oil/linen, 36” x 36”, Private Collection



Gaseteria, Bronx, 2009, oil/linen, 28” x 56”, courtesy of the artist

Monday, October 11, 2010

Painting in Tuscany


New Piece 1 in the studio, 48 x 38 oil on canvas


I have exciting news!! I have been invited to teach a painting workshop in Tuscany, Italy. Doesn't that sound amazing?

I was thinking the end of June 2011 (this June!!26-3) would be a great time to escape to an Italian Villa. There is a pool and air-conditioning. The other time available is the end of September(24-Oct 1)

This workshop will include a variety of breathtaking locations chosen to inspire our creative work. Using mixed media ( pastels, oil pastels, oil sticks and paint ) we will be informed by the landscape. Imagine working with the textures, tones, colors and the clarity of light that is so much a part of Tuscany's natural beauty.


We will also visit some museums, art galleries and medieval hill top towns . Excursions will include a visit to the nearby thermal springs, which have been reputed since Roman times to have healing properties. We will often be traveling through the fabulous countryside of the Val d'Orcia, with its classic Tuscan views. Our trips will include two beautiful hill towns - Pienza, with its famed local Pecorino cheeses; and also Montepulciano, known for its wonderful wines. Here we will have the opportunity to visit La Cantina Redi, one of the oldest wineries in Tuscany.

Accommodations, transfers, all meals, wine and several excursions are included for only $2,300 for the week. The air travel is up to you.
http://www.tuscanyintheframe.com/dptuscany.htm
Please let me know if you are interested and which time of year, ASAP.

art@lisapressman.net


I am limited to 10 people and one seat is already taken for June.

Artist or not: there will be plenty to do!

Fun is high up on that list.


New Piece 2 40 x 30 oil and wax on board
Nw Piece 1 in the studio, 48 x 38 oil on canvas


I have exciting news!! I have been invited to teach a painting workshop in Tuscany, Italy. Doesn't that sound amazing?

I was thinking the end of June 2011 (this June!!26-3) would be a great time to escape to an Italian Villa. There is a pool and air-conditioning. The other time available is the end of September(24-Oct 1)

This workshop will include a variety of breathtaking locations chosen to inspire our creative work. Using mixed media ( pastels, oil pastels, oil sticks and paint ) we will be informed by the landscape. Imagine working with the textures, tones, colors and the clarity of light that is so much a part of Tuscany's natural beauty.


We will also visit some museums, art galleries and medieval hill top towns . Excursions will include a visit to the nearby thermal springs, which have been reputed since Roman times to have healing properties. We will often be traveling through the fabulous countryside of the Val d'Orcia, with its classic Tuscan views. Our trips will include two beautiful hill towns - Pienza, with its famed local Pecorino cheeses; and also Montepulciano, known for its wonderful wines. Here we will have the opportunity to visit La Cantina Redi, one of the oldest wineries in Tuscany.

Accommodations, transfers, all meals, wine and several excursions are included for only $2,300 for the week. The air travel is up to you.
http://www.tuscanyintheframe.com/dptuscany.htm
Please let me know if you are interested and which time of year, ASAP.

art@lisapressman.net


I am limited to 10 people and one seat is already taken for June.

Artist or not: there will be plenty to do!

Fun is high up on that list.

New Piece 2 40 x 30 oil and wax on board

Tuesday, September 21, 2010

Nancy Natale's Art in the Studio Blog


Artist and blogger Nancy Natale is running a fun series on her blog called "The Questionnaire". It is her artist's version of the Proust questions . I am a fan of the Actor's Studio version so I was happy to participate. I had answered her questions a couple weeks back so when she posted today I was very tempted to tell her to change them. You can see my original answers at Art in the Studio. Be sure to go through her blog to read other interviews.
I decided to post my alternate answers here.


What is your favorite color?
I go through phases so I moving back into warm colors-orange,yellow amd Iguess blue.


( the experiment) oil on canvas 34 x 32 LPressman

What is your favorite word?

really?

What turns you on creatively, spiritually or emotionally?
paint, laughter, being under the covers on a cold morning

What turns you off
?
crazy makers

What profession other than artist would you most like to be?
Something that pays me to travel

What is your favorite book or movie?
Man and his Symbols by Jung and still the Godfather 1 and 2

Who is your favorite musician, musical group or style of music?

rhythm and blues, jazz, folk and music from the late 60's and 70's, Motown

Name three artists whose work has influenced your own or whose work you most relate to.

Hesse,Matisse, Hans Hoffman

Name an artist whose work you admire but which may be unlike yours.
Brice Marden, Philip Guston, Sol Lewitt

What is your idea of earthly happiness?

I am sticking with good friends , good wine, food , love a good laugh, and a studio full of supplies