Friday, September 9, 2011

Using Mixed Media to Discover Your Voice, Part 2


After the first day (here), I introduced some materials that I like to work with including pigment sticks, cold wax, oil paint, graphite and various tools and techniques. Below are a few shots of the work in progress.



Patricia

Deborah
Denise

Connie
      

Maryellen










        
Barbara


Lorraine looking
                                                                                    
Andy
Julie

Karen

Pam




Tuesday, August 30, 2011

Using Mixed Media to Discover Your Voice, Day 1




 I just came back from teaching a workshop at the Truro Center for the Arts at Castle Hill, Truro, Ma.
What a great place with  big light filled studios, great staff and a beautiful setting.

The first day after introductions, I began the class with a 30 drawings in 30 minutes exercise with some graphite, markers, pencils and erasers. After, we did a walk around looking and talking about the "work".  I made them each choose 5 of their least favorite drawings which I collected  and then gave out to the other participants. They had 20 minutes to rework them. It is a great way to loosen up and get out from under the" preciousness umbrella". There was some groaning, grunting and sighing but  the result was the inspiration for the rest of the week.
Next blog post!

Below are a sample  from that first day:

Love my R&F apron and their pigment sticks. Those come later.


 
















Here  is smiling Pam!

Andy hard at work




Thursday, August 18, 2011

Studio visit with Fran Shalom


Savoire Faire
2010
Oil on Wood
12" x 12'


 " I am a modernist abstract painter with a pop sensibility. My works balance the formal with the playful, paring down shapes and ideas into their most basic forms. It is a search for clarity and humor, as is evidenced by the shapes and colors in my paintings: cartoony, bright, blobby. But, like life itself, there is an undercurrent of conflict beneath the whimsy, as reflected in the tension and interaction between the shapes. Ultimately, it is important that the viewer becomes involved with the paintings, tempting them to stay long enough with the images to connect to a narrative that is at once ambiguous yet taps into the specifics and subtleties of their own lives."



 I was in Chelsea a few months ago at the Nancy Margolis Gallery seeing the Abstraction show. I particularity liked the color, quirkiness and ambiguity of Fran Shalom's work. I looked her up online and found out she lives 15 minutes from my studio so I arranged a visit. What a treat to have someone who speaks my language so close!




Her studio is up in the attic with plenty of light and room for her to work.
She is a collector so notice in many of the photos the shelves of "stuff".
I love this one above her painting wall. 

All of the work shown in this post is work in progress so don't get attached.
 

Here are her rolling tables with everything ready and close at hand. You can see her inspiraton wall to the left. Here is an upclose view:


 

 

Work in progress, oil on board



Works in progress, oil on board




This is a finished painting untitled at the moment (I love the relationship between the painting and the wire with the pink tags. )


We had some laughs


Everywhere I  looked I found echoing shapes and colors. Look at those funny creatures in the windows.

Work in progress, oil on board
 




Work in progress, oil on board




 More cards and images 


The bookshelves


She is a practicing Buddhist.


 
This is Jazzy's viewing chair. Notice the painting hanging up over the radiator. That is a painting by Brenda Goodman.

Troubled Waters #3 20 x 24 2009 Brenda Goodman


Untitled, 2010, Oil on Wood 12" x 12"

Fran has two shows coming up. 
A two person show, April 24th at The Painting Center, NYC
and a solo show, October 2012,
at the John Davis Gallery in Hudson, NY.