Tuesday, September 3, 2013

Thanks to Brian Edmonds from Curating Contemporary for posting my upcoming show on his blog

Upcoming Exhibition: Lisa Pressman @ The Rosenfeld Gallery in Philadelphia

September 8 – September 29, 2013
The Rosenfeld Gallery
113 Arch St.
Philadelphia, PA 19106
Ph: 215 922 1376
contact@therosenfeldgallery.com
Wed-Sat: 10 until 5
Sunday: Noon until 5
Lisa Preeeman UNSPOKEN 24 x 24 (72dpi)Oil on panel
Unspoken  24 x  24 oil
Lisa Pressman creates paintings that draw from the place of “not knowing” and exploration. Her work reveals images that many people have lost sight of, images that communicate to a place deeper than words. The paintings invite a deep, visceral response that evolves over time; they have a life of their own.
Lisa has a BA in Art from Douglass College, Rutgers University and an MFA from Bard College. Her work is exhibited extensively throughout the U.S. and abroad, and is included in many public and private collections. “Inside Matters” is a solo show at Rosenfeld Gallery opening on September 8  th in Philadelphia in Pa . The show continues through September 29th.
This year her work has been exhibited in Nocturnes, curated by Virginia Fabbri Butera, Ph.D. Therese A. Maloney Art Gallery, College of Saint Elizabeth, Morristown, NJ; Shape Shifting, Susan Eley Fine Art, NYC, New York and  Microcosms at Butters Gallery, Portland, Oregon. The work has been included in Swept Away: Translucence, Transparence, Transcendence In Contemporary Encaustic, The Cape Cod Museum of Art, Dennis, MA (curated by Michael Giaquinto); a Group Show at Western Carolina State University Museum, Cullowhee, NC. and also Red at the A Gallery in Provincetown, MA.
Pressman’s 2012 group exhibitions included: Wax is Hot, Amy Simon Gallery, Westport, CT; EW’12 Invitational Exhibition, R&F Handmade Paints, Kingston, NY; From Where I Stand, Rye Art Center, Rye, NY; and Confluence: Medium Meets Message, Morean Arts Center, St. Petersburg, FL.  
Lisa lives and works in West Orange, NJ and currently is teaching locally and nationally.
About the work:
My work explores the place of “not knowing.” The process is an intuitive dialogue between the random and the deliberate that allows a relationship to develop between intent and accident. Each piece evolves as a play between translucent and opaque layers of paint, as I draw, layer, cover up, sand and scrape. The paintings take on a life of their own, revealing imagery that evokes a visceral response. 
This particular series unfolded in response to an image that emerged in the process of painting “The Deep.” The recognizable contours of a vessel led me to explore this form. The contents of the vessels remain hidden, imbuing them with a mysterious, suggestive potency, like the painting process itself.  
Lisa Pressman
www.lisapressman.net


Traces

Fossil 24 x 24 oil
The Bounty


Quiet Space 24 x24  oil

Night View 18 x18 oil

Mystery of Intellect 12 x 12 oil

Night VIsion 10 x 10 oil

Monday, July 15, 2013

A Studio Visit with : Brenda Goodman





I visited Brenda Goodman's studio a few weeks ago and saw these three new paintings. The only question I have is which lucky museum is going to invite her for the retrospective she so rightly deserves? 




Wild Thing-You Make My Heart Sing     50 x72    oil on wood     2013


Kickstart     56 x79    oil on canvas     2013


Jingle Jangle Morning     51 x 58      oil on wood    2013


Brenda also showed me these two paintings that she had just gotten back from collectors. I asked her to write a few words about them as they seem very connected to the new work.




The Cat 1970
"An old friend who I lost contact with many years ago got in touch with me and offered to return a cat painting I did in 1970. It was done 5 years out of art school. She was downsizing the amount of belongings she had. I remembered the painting and even though I hadn’t seen it in over 40 years my emotional connection to it never went a way. Now I have it in our living room and feel so happy to see it everyday."

Breakthrough 1985   
                           
"Two weeks after this event a collector called me and said he was looking for a new home (hopefully a museum) for a painting of mine he bought in 1985 from the Ed Thorp Gallery.   The painting is called “Breakthrough” and indeed it was when I painted it and though I didn’t want to sell it I so badly needed the money and had to let it go.  I said to him I would do anything to have that painting back. We settled on a price.  I bought my painting back and  am overjoyed." 
Here is Brenda's studio:

                                                   
                                                                                






There is a review of her work  here and here
Thanks Brenda for allowing me to visit and also sending me some better pictures!!






Sunday, July 7, 2013

Marie Vickerilla


I went to see Marie Vickerilla's paintings last week at the Simon Gallery in Morristown, NJ. I have known Marie since 1981 when we were studio neighbors at Bard in their brand new MFA program. We were fast friends and have been ever since. It a treat to see her work out in the world. These new paintings are masterful, humorous and complex.  
To see more of her work visit here and here.


"At sixty, the perception of every aspect of my life shifted, including how and what I painted." Marie Vickerilla 2013



Red on Red  60 x 60 oil on canvas 2013


                                Pink Lady 60 x 60 oil on panel 2013

Hey 60 x60 oil and paper on panel 2012


Therapy Talk 52 x 72 oil on panel 2012


Orange Stop 29 x 48 oil on panel 2013


 Positive Void 84 x 54 oil on panel 2012




                                            Portrait   29 x 24 oil on panel 2013


Sunday, June 9, 2013

Nocturnes and Shape Shifting

I am happy to be included in these two upcoming group shows:




Nocturnes
OPENING RECEPTION
Tuesday June 18 4:30-7:00pm
Exhibition Dates; June 18- September 22,2013
College of Saint Elizabeth
2 Convent Road
Morristown, NJ 07960


All That Matters 24 x 24 oil  

The Light 24 x 24 oil




And





SHAPE SHIFTING
46 West 90th Street, 2nd floor, New York, NY 10024

between Central Park West and Columbus Avenue. 
Gallery Hours: Tuesday, Wednesday and Thursday, 11 am-5 pm and by appointment. 

A Group Summer Show Featuring 
Semi-abstract Paintings by:

Lisa Fellerson, Tom Gaines, Kentaro Hiramatsu,
Joseph Piccillo, Lisa Pressman and Carlos Puyol

OPENING RECEPTION
WEDNESDAY, JULY 10, 6-8 pm

Exhibition Dates: July 10-September 6, 2013


Saturday Afternoon  30 x 30 encaustic

July 4  24 x 38 encaustic

Linking 3  24 x 24 encaustic

The Edge of  World  48 x 38 oil




Friday, May 17, 2013

What's New?


7" x 5"  encaustic on board from the All That Matters Series



Recent video made for the Red Show at  the A Gallery in Provincetown, MA.  



Recent & Upcoming Exhibitions


April, 2014  S.H.E  GALLERY, SOLO, Boonton, NJ

September, 2013 ROSENFELD GALLERY, ALL THAT MATTERS, SOLO Philadelphia, PA

July, 2013  SHAPE SHIFTING, Susan Eley Gallery, New York City,  NY

June, 2013  SWEPT AWAY: Translucence, Transparence, Transcendence in Contemporary Encaustic
 The Cape Cod  Museum of Art, Dennis, MA. Curated  by Michael Giaquinto

June, 2013 GROUP SHOW, Western Carolina State University Museum, Cullowhee, NC

June, 2013 RED, A Gallery, Provincetown, MA

June, 2013 ELEPHANT IN THE ROOM , Laconia Gallery, Boston, MA


Inside Time 24 x 24 encaustic

Saturday, April 6, 2013

Mapping Time: A Collaborative Exhibition

There is a new space 5 minutes from my house that houses a gallery and also artists lofts for rent. I was offered to have an exhibtion there recently and  decided to use the opportunity for a creative challenge. I invited fellow artist Krista Svalbonas to collaborate. Her work explores the urban landscape using pastel, wax and graphite to create meticulously drawn installations.

Our project began with Krista's geometric paintings, wall drawings along with my paintings that mapped the gallery. Krista spent two days creating her wall installation.  I responded with color drawings done with graphite and pastel. I can not emphasize enough that collaboration is a great way to expand and fine tune your own vocabulary.



Mural Outside of the Firehouse, Orange NJ. Lisa Pressman and Krista Svalbonas



This mural is the outside door of the firehouse. Krista started with the green shape based off one of her paintings. My challenge was to find the right drawing tool and also to feel free enough to paint in a public space.  I discovered acrylic markers and began to riff off her geometry. I was inspired by the firehouse brick and the community surroundings. At one point both of us and Krista's husband, Lars were all working together on the piece. It was great fun even in the freezing weather.


ValleyArts is proud to present the third exhibition at the new Firehouse Gallery, Mapping Time: A Collaborative Installation by Lisa Pressman & Krista Svalbonas. Pressman and Svalbonas  created a site specific installation, transforming the walls of the Firehouse Gallery into a visual dialogue of architecture, language and temporality. The installation is comprised of two-dimensional mixed media work and integrated wall drawings. Learn more about the artists and see some of their work on their websites: www.lisapressman.net/ & www.kristasvalbonas.net Gallery hours: Saturdays 10am – 4pm; Sundays 12:20pm – 4pm; by appointment. Exhibit runs March 21 – April 28, 2013


"Perfect for the space... shapes and colors of the paintings flow directly into the structure of the gallery itself. "
-- Dan Bischoff, Star Ledger









                 Lisa Pressman and Krista Svalbonas:  Corner, pastel and graphite








 Lisa Pressman and Krista Svalbonas: encaustic, pastel, graphite installation














I loved Krista's idea of expanding the collaboration to small affrodable works She and I visited a letterpress company near the gallery with her design  for the these cards. We had 250 printed and now they are back in my studio. She added cutouts and I have been using old prints, drawings, tape, water media and a Japanese hole punch to embellish. I am loving the backs almost as much as the fronts of these works.






Small Works Collaboration: Mapping Time 6 x6  letterpress and mixed media on paper  Lisa Pressman and Krista Svalbonas


Small Works Collaboration:Mapping Time 6 x6  letterpress and mixed media on paper
Lisa Pressman and Krista Svalbonas


Small Works Collaboration:Mapping Time 6 x6  letterpress and mixed media on paper
Lisa Pressman and Krista Svalbonas






                                       

                                           Firehouse  Hallway Gallery


Past Time:  Lisa Pressman : Paintings from 1983-2011


When I went to visit the space to consider having the exhibition I spent some time in this hallway which is a huge space with lovely natural light. It seemed  to whisper to me that it was time to bring out some of my work that has been tucked away in storage for 25 years. It has been an instructive way to revisit my imagery, use of color and creating context for all of my work. 














                    Inside Out  70 x 60 oil on canvas   1990  L Pressman




                      Undercover 60 x 66 oil on canvas 1992 LPressman