Notes 12 x12 encaustic Lpressman @2009
This past June, after creating work for a solo show, having other pieces out at other places, and sales coming to a slow crawl, I decided to stop painting for a while.
Yes 10 x10 encaustic LPressman @2009
Balance 12 x 12 encaustic LPressman 2009
But, I have two shows coming up in September and October.
So, the juggling act begins....works from Texas and Atlanta are coming home.
Now, I get to see all the work that flew out of the studio on deadlines back for a respite, a re-look , and a re-evaluation. Then, they are out again.
Meanwhile, while I "wasn't painting for the past two months", I happen to have 15 pieces done. How did that happen? I think it was the simple act of not doing, of playing, experimenting and no pressure. Three of these were finished after resting and waiting for months for some attention,
The Rooms of Anais Nin 38 x 26 encaustic Lpressman 2009
Thinking Space 26 x 38 encaustic Lpressman 2009
Pink Tie 26 x 38 encaustic LPressman @2009
Counting 1 12 x 12 encaustic Lpressman@2009
Counting 2 12 x 12 encaustic Lpressman 2009
Ghosts 12 x12 encaustic Lpressman 2009
What is interesting for me is to look at the three "resting" paintings and the new work together. I know in my mind where I want the work to go........it is the getting there that is the challenge.
Whisper 12 x 12 encaustic Lpressman 2009
And, I didn't even mention that I have two 48 x48 oil paintings going.............that is another post.
16 comments:
Oh my gosh!! these are wonderful..
it is amazing what you did by sort of taking a break and just experimenting -- I am drawn to paintings that do not have much color but do have have textures, marks, and the balance you get are all good.
magnificent works. i love the depth and translucency.
a break from painting--i can relate...for several reasons, i'm on a painting sabbatical. when i return to the studio (soon), i'll be doing some smaller works on paper instead of my usual canvas or panel pieces.
or perhaps i'll try your method of "not" painting...and see what happens.
great post, very inspiring words.
Wow these are amazing, love the Anaiis Nin piece, Maybe you should make "not painting" a lifestyle. Great work!!
Sometimes we all just need a little 'rest'.......makes what comes out later have a new bit to add to what came before.
Beautiful, Lisa.
These are way cool, Lisa. Did they paint themselves since you weren't painting? You may be on to something here! I love the color and ratio of marks to space in the Anais Nin one - just great. You are a wonderful non-painter.
Beautiful!
I too am "not painting" at the moment, and I'm starting to feel the most wonderful things wanting to appear.
Your encaustic work is fantastic. Love it all.
I love what happens when you're not painting :)
nice adventure!
Hey-thanks you all!!
Your pieces titled "Notes" and "Yes" and fabulous.
ian
Hi Lisa,
Just want to say how much I like your work.
I was introduced to it through the Rosenfeld Gallery ----my work was included in the New talent exhibit this year.
I've been getting to know the Philly area for about a year and it always nice to find artists doing good in and around the city.
Take Care,
Paul Behnke
paulbehnkepaintings.com
Lisa, Congrats on the interview with you. And, if this isn't painting then what do you do when you ARE? I love the lyrics, the poetry and the metaphors with marks and words.
Lynette
Hi Lisa:
Your work is amazing... I really feel a kinship with it... I think it's a simular dialogue I am having in my head with my mixed media papermaking somehow...
Thanks for sharing.
blessings,
Rosalind
I'm interested in how these works compare to the posted work of the 12th. I feel the compositions in this newer work are giving the surfaces a little more space to become a bigger part of the narrative. Very nice work.
Haha, that's a funny way to not paint, clearly the passion to create runs through your soul!
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